Tag Archive: Des Nnochiri


Still Unreliable…

An-Unreliable-Saucebottle

Okay, so you’ve listened to the podcast (or not…). Here’s the original story, for you.

An Unreliable Sauce
By Des Nnochiri

Pedrosa was cutting it pretty fine.

18:30, he’d said. That was 6:30, in the P.M., for civilians.

Wallace twitched his lip. Approximation to a smile.

It was almost funny. The way Pedrosa had set up this rendezvous, in
military time. Laid out the terms and conditions of his “testimony”,
as if he were negotiating an armistice.

No names.

Pedrosa – if that was even his real moniker; the guy was an illegal,
like so many others at Blue Mountain – was to be credited as “an
anonymous source.”

No recording equipment.

Wallace was to get Pedrosa’s story, word for word. On paper.

Nuts, to that. Wallace’s secretarial skills were right up there, with his
great-grandmother’s – who’d been a professional seamstress.
Non-existent, in other words.

He’d called in some favors at Metro P.D., and gotten himself wired,
like an undercover Narc.

Brought a notebook and pen, for show. He’d do his own version of
shorthand.

Between that, Senor “Manuel Pedrosa’s” halting English,
Wallace’s own high-school Spanish (He’d flunked, spectacularly), and
the tape, he’d have what he wanted.

Pedrosa, spilling the beans on what was really going on with Blue
Mountain’s Everyman range.

Crouched beside the chain-link fence surrounding the canning plant,
Wallace reflected that something out of the ordinary must be going on,
here.

Something.

To justify the watch towers at every corner; machine gun emplacements
at the top. The CCTV cameras, patrolling guards, and sniffer dogs. The
crackling high voltage, coursing through the mesh of the fence.

They had to be protecting more than just a secret recipe for the
millions-selling All-Purpose Ragouts, the company was peddling.

Well, Pedrosa should be here soon, to shed some light.

Should.

But Pedrosa was…

Wallace checked his wristwatch.

He was going to be 15 minutes late. In another 5 minutes.

A sudden movement, to his right. Wallace flicked his eyes, in that
direction. Tensed, ready to run or fight.

“Ow!!”

A stinging pain, beneath his right ear. Instinctively, Wallace clapped
a hand to the spot. Slapping the tranquilizer needle even deeper, into
the skin.

He pitched forward, to the dirt. Unconscious, in seconds.

Wallace awoke to the glare of fluorescent lights, overhead. A large
space, like a warehouse or factory floor.

Flat on his back. And naked, as the day he was born.

He couldn’t make out what kind of surface he was lying on. Or
feel his legs. Arms. Anything else, for that matter.

He could hear, though. And see – even if his eyes could only stare
straight ahead.

What peripheral vision he had put him in a wide channel of some sort,
with knee-high walls of steel mesh. At a table nearby, workers in the
spotless overalls of the Blue Mountain Foods conglomerate pored over
Wallace’s clothing, with a fine-tooth comb.

That’s how he deduced that he was naked.

Peering down at him was a face he recognized from all the news reports
and business dailies.

Montague Kane. CEO, Blue Mountain Foods.

Kane held in one hand the mike and recording device which had been
taped to Wallace’s body, an expression of distaste on his patrician
features. Like everyone else, the man was wearing surgical gloves.

One of the technicians from the table approached Kane. His tone was
deeply respectful, as he confirmed that “We’ve done a sweep of the
area, sir. No surveillance vans, or back-up units. Mr. Wallace is
alone.”

Kane nodded. He handed the wire to the tech, holding it in his
thumb and forefinger, like a dead rat. His face didn’t
change, as he returned his attention to Wallace.

“Mr. Wallace is alone…”

The words seemed to echo through the room. They were all that Wallace
could focus on, even as Kane loomed above him. But the man’s lips were
moving. He was talking. Saying words that might – might – hold the key
to Wallace’s survival.

Because, make no mistake; Wallace knew that his life was in the balance, here.

He bore down, struggling to make out the words.

“Mr. Wallace is alone…”

Not quite, though.

Kane’s monologue on the merits of Everyman…

“Ranch House, Negrito. Our Everyman sauces are the favorite choice of
households across the country. Nutritious, naturally tasty, and
affordable…”

…Was interrupted, as a trio of workers passed behind him, lugging a
wrapped plastic bundle. They hoisted it over the channel wall.

The limp and naked body of Manuel Pedrosa landed with a thud, at Wallace’s feet.

If Wallace’s eyes could have widened in horror, they would have.
As it was, they could merely stare, as Kane continued speaking.

“Why, you may have used them, yourself. Very popular.
We’ve had our trials, of course. Who hasn’t? Civil suits. That unfortunate business
with the gender rights lobby. EveryWoman, EveryPerson, my ass.
And I’m sure you’ve heard the rumors, in the press. Else, you wouldn’t
be here.”

Kane chuckled. More like a death’s head grin, in that lean face.

“About our stringent work practices. Our unconventional
employment policy. Migrants, transients, runaways. We hire them, where
no one else will. I admit that. There’s no shame in it. And yes, I run
a tight ship. But, by taking these people off the streets – by giving
them a purpose – we are doing a public service.”

He leaned forward earnestly, now. Huckstering, like a cheap politician.

“You know, we ship over a million tonnes of our products every year, to
starving families in Africa and Asia? At no charge. Public service.
And, if we ask that our workers give something back, at the end of
their shift, that’s not unreasonable, is it?”

Kane paused, nodding to one of the technicians at the table.

As the tech guy flipped a switch, Kane resumed his discourse. Eyes
gleaming with fervor. A sheen of sweat, on his upper lip.

Speaking with the absolute conviction of the obscenely wealthy, and
utterly insane.

“The work force, now. They’re our life’s blood. Our strength. Our
special ingredient. The secret, to our sauce. You’ll see.”

Kane stepped back, out of Wallace’s line of sight.

At the far end of the hall, a mesh of sharpened steel blades whirred into life.

If Wallace could have thrashed and kicked, he’d be out of there, right
now. But…

“Mr. Wallace is alone…”

And the steel conveyor belt holding the bodies of Manuel Pedrosa and
Mr. Wallace chugged inexorably toward their special place in the
making of Blue Mountain Everyman.

Wallace wondered which variety he’d end up in.

END

As in, peace.

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One to Watch, in 2015

Gotham TV series

In a week that saw Fox’s “Gotham” achieve its best-ever ratings on US television, here’s a link to my article at the Xtreme Entertainment Network, reviewing the show’s first season, for UK audiences.

Dark Nights, in “Gotham”

Oh, and best wishes for 2015. Hope it’s a good year, for all of us.

Peace.

The CW's The Flash
First: did you miss ME?

In case you’re wondering where I’ve been, the answer is: BUSY.

My world outside the blogosphere has been chock-full of writing assignments in the tech arena. In parallel to that, there’s developing my own brand of crime and suspense fiction, trying to sell my screenplays, and the whole “trying to have a life” issue.

One of the jobs I did recently was a preview / review of The CW’s “The Flash”, for the UK market. I put it out through the Xtreme Entertainment Network, a start-up based in London. Xtreme specializes in video games, movies, TV, and related media.

Could be an outfit worth watching. “The Flash” certainly is.

You can check out

My Review, Here…

Peace.

An-Unreliable-Saucebottle

My chilling little tale, “An Unreliable Sauce” is podcasting at MidnightCircle.com.

Now, this being me, the story mixes an investigation with elements of the macabre.

It’s more a psychological horror; no gratuitous gore. That said…

Well. Check it out, for yourself.

Here’s the link:

[http://traffic.libsyn.com/midnightcircle/MNC022.mp3]

And happy listening.

Peace.

And, We Have A Winner

Winner Script Frenzy 2012

Winner, Script Frenzy 2012

Me. And that’s official.

As of April 25, when final page validation took place, at ScriptFrenzy.org

You may remember that Script Frenzy is the global challenge where contestants have 30 days (the month of April) to complete a full-length movie screenplay of 100 pages.

I didn’t want to tell you until the official tally was in – and I had my nifty Winner’s Badge to show you.
(My nifty Winner’s Certificate is hanging up on my wall).

Truth be told, I actually hit the magic 100, on April 19th.

Wasn’t easy.

Mind you, it wasn’t that hard, either.
Because I didn’t lose my head – as sometimes happened, in previous years.

Script Frenzy, yes.

But I wasn’t frenzied, while doing it.

In fact, I was having fun.
And I think that fun is the key to success, in this endeavour.

Let’s face it. The script you end up with at the 30-day point isn’t going to win any Oscars. But. A couple of years down the line; bit of work? Who knows.

So, it’s important to at least finish the damn thing.

And in order to do that, you have to leave self-doubt, over-analyzing, and dithering behind.

And get a little wacky.

That thigh-slapper joke the guy from Human Resources told at the pub, last night?
Have one of your main characters paraphrase it.

The stunt you saw on DVD, that would look awesome, with your own unique twist?
Twist that puppy, and put it in there.

Heck. Throw the kitchen sink at it, if you have to.
Just finish.

And have fun.

During the Frenzy, it was not uncommon for the neighbors to see me pacing my yard, muttering to myself with a goofy grin.
The fact that clowns play a major role in my script didn’t help.
(Get over it, people; that’s the way I work).

The point is, I finished.
In (for me; so far) record time.

Getting that fact recognized? That was a different matter.

For reasons too complex and numerous to go into, I had to do my entire Frenzy using handwritten notes and cloudware (online software).

In a month when my Internet connection was dodgy, at best.

And in a process which went something like this:

1. Type up daily notes and email them to self, as backup archive.

2. Add daily text to project, at online screenplay editor.

3. Try to save project file. Fail, dismally.

4. Repeat steps 2 and 3.

5. Yell, “Sod this!” (Paraphrasing).

6. Continue, till end of screenplay.

That was just the writing part.

Assembling the screenplay file itself, was a little more challenging:

1. Download and organize text files, from daily notes.

2. Laboriously stitch notes together
(Copy, Paste, Copy, Paste, Copy, Zzzzz…..)

3. Wake up, with jolt.

4. Save the patched together, Frankenstein monster file.

5. Upload the file to online service that converts MS Word files to Portable Document Format (PDF).
(I used www.pdfonline.com. You upload your file, give them your email address, and they send the PDF to you, in minutes. 10 minutes, in my case).

6. Upload the PDF screenplay to the validation engine at www.ScriptFrenzy.org.

7. Get validated.

8. Punch sky, in triumph.

9. Yell. “I rule!”, “Yes!! I am The Man!”, etc.

10. Drink glass of something bubbly.

Which is what I’m going to do, after I sign off, here.

But first…

The logline for “SOS: State Of Siege” now reads like this:

“When teenage super-soldiers take possession of a crowded cafeteria, an elite police unit must safely negotiate the release of their hostages – among them, the sister and girlfriend of one of its key members.”

I know; still needs work. As does the screenplay, itself.

And the logo:

Logo for "SOS: State Of Siege"

Clowns. Remember; there are clowns, involved. Dangerous ones.

I’m off, for that bubbly stuff, now. And maybe some fried chicken.

I’ll see you, when I do.

Peace.

Well, some of it, anyway.

What follows is an extract from my forthcoming thriller novel, “Xero Option.”

Hmm. Cool logo, yes?

“Forthcoming.” As in, “I have to finish the damn thing, first.”

In the meantime, here’s Chapter One.
Feel free to leave a comment if you like it, loathe it, or just want to pass the time of day.

And happy reading.

*  *  *  *

Earl Grey. Or jasmine.

Farrell nodded, grimly. That’s what she should have gone for.
Something simple. Not some “exotic blend of fragrant leaves, grown on
the rolling plains of Outer Tyberia”, or wherever it was. With “a
rich, yet delicate flavor, that…”

Yeah, right.

She scowled, stabbing the soggy teabag into the depths of the thermos
cup, for the umpteenth time.

The guy at the grocery store had sold her a lemon. Or – Farrell
grinned ruefully at this – he should have done. Would have had more
flavor in it, than this stuff. Farrell–

Paused. Head bowed. Still scowling at the offending mess in her cup,
as the short hairs at the nape of her neck stood on end.

Someone was watching her. Had been, for some time.

It didn’t take going on 20 years of police experience, to figure that
one out. The feeling was primal. That idiot, Vitale, would have
described it as gut instinct, street smarts, or some jassack cliche,
like that. The Lieutenant would phrase it more elegantly. He had a way
with words that Farrell frankly admired. A sense of style, about him.

Whichever way you put it; she was being watched.

Farrell looked up.

He was standing about a foot in front of the reception desk, in an
attitude Farrell would describe as parade rest: feet slightly apart,
hands loosely at his sides.

Average height. Average weight. Average build.

Not ugly; not handsome. Average.

There was something about him, though.

“I’d like to report a murder.”

His tone was mild, uninflected. No discernible accent. An average voice.

“Oh, yeah? Who’d you kill?”

Farrell’s question was as much a reflection of the cynicism that
seemed to worm its way into the DNA of every resident of Metro City,
as it was a genuine concession to the fact that this guy might
actually be dangerous.

And a way of easing her own tension.

That primal thing, again.

Farrell felt her hand sneaking involuntarily toward the shelf beneath
the reception desk – even as the guy opened his mouth, to respond.

“You. And every other person, in this building.”

Farrell’s hand completed its journey, fingers closing round the butt
of the 9-millimeter automatic stowed beneath the desk.

Since the terrorist incidents of recent years, Homeland Security had
made this – and several other precautionary measures – standard
procedure, at station houses across the city. Together with
recommended practices for dealing with alleged or potential
perpetrators of terrorist acts.

With her free hand, Farrell lined up a pen and steno pad, beside the
computer terminal on the desk. Fingers poised to scribble. Still
fingering the weapon below Mr. Average Guy’s line of sight.

“What did you say your name was, again?”

“I didn’t,” he replied. “It’s Psmith. John Psmith. With a ‘P’.”

Farrell went through the motions of writing this down.

“John… P… Smi–”

“No.”

Psmith smiled, a Zen-like tranquility oozing from him, as he shook his
head. He leaned forward, both palms spread flat on the desktop.
Friendly. Cooperative. Totally harmless.

It took all of Farrell’s strength of will, to stop herself from flinching.

“It’s Psmith. With a ‘P’,” he said. “P-S-M-I-T-H. Pronounced ‘Smith’.”

*  *  *  *

Shouldn’t it be “Smythe?”

Vitale wrinkled his brow.

“I mean, that’s how it’s spelt.”

Still frowning, Vitale cast a critical eye over the desk.
Preternaturally tidy. Custom stationery, designer ornaments. Gilded
plaque, in front: John Smyth.

Everything put in place, just so. Evidence of a fastidious nature,
which permeated the entire office.

Prissy, thought Vitale. That’s the word.

Polished bookshelves, neatly stacked. Plush furniture, like you’d find
in an old English gentlemen’s club. Everything spotless, and
positioned as if by design.

Except.

Behind the desk, an upturned swivel chair. Sprawled in it, the body of
John Smyth, a well-groomed man in his fifties. Polished as his office.
Save for the bloody hole, in his forehead.

On the wall above Smyth sat a circular depression, at the center of a
splatter of blood, bone, and brain tissue.

Some of the goop had splashed a series of frames on the wall above the
desk. A diploma. Certificates of Appreciation, from various Bar
Associations across the country. Photo of a fishing trip: Smyth and
the current Attorney General. Smug expressions on both men. Look at
us; we’re just a couple of regular guys.

Vitale grunted. “Hmph. Probably had an intern catch those bass, for ’em.”

“Privilege of power.”

Vitale almost jumped, as Garber stepped up beside him. A big
African-American man in his forties, the Lieutenant was remarkably
light on his feet. And quiet. Vitale often joked that he should start
a training program, at the precinct. Ninja Sneaking, 101. Could be a
useful skill.

“The man moved in exalted circles.”

The Lieutenant’s voice was dry. “Fellow of his standing, station in
life, he’d want to be a cut above. Set himself apart from all the
other John Smith’s, out there. Guys with solid names, like us –
Vitale, Garber – we don’t have that problem.”

“Hmph.”

Vitale was unmoved. “Why the hell doesn’t he spell it right. Did. Didn’t he.”

Behind the two detectives, Forensic Investigator Matthew Clapton
fussed around the body. A solidly built man in his thirties, Clapton
had the look of a teenage computer geek; he was that absorbed, in his
work. Plotting trajectories, doing scrapings, dictating notes into his
iPod. Clapton was meticulous. Thorough. Brilliant, on occasion.

Slow, thought Vitale.

“Hey, Matty. What do you say? D’you think he’s dead?”

Clapton interrupted his work-flow just long enough to respond.

“It’s Matthew.”

He didn’t even look up.

Vitale rolled his neck, as he adjusted the knot in his tie. Though in
his early thirties, Vitale seemed uncomfortable in the slacks and
sport jacket combo favored by so many male detectives (and a fair few
of the women; but that was another story) in this city. Like a brash
college kid gone formal to impress his rich girlfriend’s snooty
grandparents, or something.

He turned toward Garber, who was frowning over the nick-nacks on the
desk of the late Mr. John Smyth, pronounced “Smith.”

“So, Lenny–”

Vitale caught himself, as the frown on Garber’s face grew deeper.

“Len. Lennox. What’s it look like, to you?”

Garber nudged a drinking bird paperweight, on the desk. Like Vitale
and Clapton, he wore surgical gloves.

“I’m not sure.”

Nestled neatly behind the bird was a sleek little cell phone. Garber
picked it up, and hit last number redial. He held the phone close to
his ear, as a whiny, nasal voice piped up from the other end.

“Arnold Gleissner, paparazzo. Hello? Hello?”

“Hello. Mister–”

But Gleissner had cut the connection.

Mouthing the word, “Paparazzo?”, Garber turned toward the Forensics man.

“Anything?”

Clapton held out a clear plastic evidence bag, with a scrap of paper in it.

I pried this out of the victim’s hand,” Clapton said. “Had to smooth
it out, a little. Well, a lot, actually. See the edges, there?”

Garber held the bag up to the light. And grinned.

“Paparazzo.”

He passed the bag over to Vitale, who studied the paper. It was a
fragment from a glossy photograph. Vitale smirked, as he took in its
content.

“Hmph. Couple of exalted circles, there, all right.” His eyes widened.
“Hey! Isn’t that…?” He tapped a portion of the the image. A face.
Partly obscured, but recognizable.

Garber’s silent nod confirmed it.

Vitale gave a low whistle.

“You guys can go ahead.” Clapton studied the expressions of his two
colleagues, as they both turned to face him. “I’ve dusted for prints,
already.”

Vitale barked a harsh laugh, jerking a thumb toward the corpse behind them.

“Yeah. That’s what this guy was, looks like. Dusted.”

He held up the photo fragment.

“For prints.”

“Mm-hmm,” nodded Garber. “Let’s go pay a visit on an Arnold Gleissner,
photographer. See if he can put us in the picture.”

*  *  *  *

“Ten to one; Gleissner’s skipped.”

Vitale drummed a tattoo on the dashboard as Lieutenant Garber swung
the cruiser into the parking area of Metro West Police Department
headquarters.

“Guy knew we’d be onto him,” Vitale continued. “Knew his part in the
scam would be exposed. Left town.”

They had spent an unproductive hour and a half at Silver Lake Palace –
a set of low-rent condos, in an area of the East Side that was equally
low-rent. Silver Lake was home to one Arnold Gleissner, paparazzo.
Whose apartment was unoccupied. And whose neighbors hadn’t seen him,
in three days.

Garber killed the engine. “And which scam would that be?”

Vitale shrugged. “Blackmail. Extortion. You saw who was in that photo, right?”

“I did,” said Garber. “Do you think murder was part of the plan?”

“I dunno,” Vitale replied. “Maybe the pay-off went south. Smyth tried
to plea bargain his way out, short-change the guy.”

Garber shook his head. “Smyth and Gleissner were opposite ends of the
social spectrum. Gleissner wouldn’t have made it past Mr. Smyth’s
palatial front gate, even.”

He continued, as they exited the car. “All we have is a phone number,
a photograph, one word, and a hunch. To score a warrant to search
Gleissner’s apartment, we’ll need a whole lot more than that.
Something more…”

Garber’s eyes narrowed, as he looked toward the precinct house.

“Explosive.”

The circus was in town.

Bomb Disposal officers with sniffer dogs walked rounds of the parking
area, checking vehicles. At the entrance doors, cops and civilians
crowded the steps. A local news crew had set up at the base of the
stairs, shooting alternating footage of the security sweep and the
crowd.

No panic, though. This kind of scene was pretty common, now.

Heads turned as the barred shutters rolled back from the entrance
doors, and a Bomb Disposal officer emerged, megaphone in hand.

“All clear,” he said.

A collective sigh of resignation went round, as perpetrators,
complainants, and peace makers began to dribble back into the
building.

“Another day, in the business of law and order,” Garber noted.

Vitale nodded. “Yep. Life, in the big city.”

*  *  *  *

The crowd in the reception lobby had thinned out considerably, by the
time Vitale and Garber cleared the metal detectors, and approached a
glum-looking Sergeant Farrell, at the desk. Her expression brightened,
as she greeted the senior detective, with a respectful nod.

“Lieutenant.”

“Sergeant Farrell.”

“Hey, Sarge.” Vitale’s grin was cocky. “Still slurpin’ down the herbal tea?”

“Hmm.”

The thunder clouds descended on Farrell’s brow, again.

“Hey, what’s with the, uh… ?”

Vitale jerked a thumb back, to indicate the last of the Bomb Disposal
Unit, loping out of the exit doors.

This brought a smile, from Sergeant Farrell. The kind a snake might
wear, as it contemplates a clutch of chicken eggs in a deserted roost.

“I am so glad you asked me that, Detective. I think we’ve got a live
one, for you. Upstairs.”

*  *  *  *

At the third floor, they pushed past the bullpen housing the
Detectives’ Division. Fallout from the morning’s bomb scare had the
plainclothes investigators juggling between their existing work load,
and a fresh influx of new cases.

That wiseacre, Hashida, found time to whistle the theme from “The
X-Files” at them, as Vitale and Garber passed from view, into the
adjacent corridor – which was home to the SIU.

The Special Investigations Unit shared a name and a few structural
elements with a civilian oversight agency in Ontario, Canada – but
very little else. Its officers were charged with “the discreet and
thorough investigation of cases which – for reasons of national
security, procedural, technical, jurisdictional, or political
implications – might otherwise fall outside the remit of the
mainstream law-enforcement network.”

A polite way of saying “sensitive”. Or “outside the box.”

In practice, this meant the SIU would often work in tandem with the
Detective bureau. Occasionally, though, the Unit could be called upon
to act, independent of it.

The SIU had been set up by special order of the Governor – more or
less in direct consequence to Lennox Garber’s retirement from the
military, his relocation to Metro City, and his expressed interest in
continuing to work as an investigator, outside of the armed forces
umbrella.

At present, the SIU consisted of three officers: two Case
Investigators, and a Forensic Investigator. The team had scored some
notable successes (discreetly, of course) in the several years since
its inception.

Some pretty bizarre cases, actually.

The Unit had its own forensics lab, custom fitted to Clapton’s
specifications. And an interrogation room. Your standard double space:
observation room, with computer access to the online crime databases.
Santa hadn’t delivered yet, on the polygraph link-up Clapton had been
lobbying for.

So Vitale and Garber would have to rely on their wits – and their own
powers of observation – with the occupant of the room beyond the
one-way mirrors.

*  *  *  *

Not your average-looking terror suspect, Vitale thought.

But, that was just it. The guy seated at the table in the center of
the room looked exactly that.

Average.

Neutral expression, as his gaze swept over Vitale, ignored him, and
locked eyes with Lieutenant Garber.

Vitale felt it, then.

A ripple, in the atmosphere of the room. Scent of blood, in the air.

Growing up, in the neighborhood – the guys he ran with – it was often like this.

Couple of them would be horsing around, one minute. Yucking it up.

A wrong word or move, and BAM! One of the guys would pitch over, a
blade in his gut. Or worse.

It was there, for an instant. Then gone.

That feeling.

“John Psmith.”

Garber consulted the clipboard he held in his hand.

“P-S-M-I-T-H. Pronounced, “Smith.”

“Great.” Vitale rolled his eyes. “Another one.”

He felt Psmith’s gaze shift toward him. His expression, unreadable.

“Says here,” Garber frowned over the text. “You’ve confessed to the
murder of Sergeant Farrell, at the desk downstairs. And the murder of
every other person in this building.”

Psmith nodded, affably.

“I’ve also killed every man, woman, and child, on the face of the Earth.”

There was silence, for a moment, as the detectives took this in.

Catching Garber’s eye, as they took their seats either side of the
suspect, Vitale twirled a finger above the table top: “This one’s a
Looney Tune.”

“Hmm.” Vitale cracked a lazy smile. “I don’t know.”

He stretched out an arm. Flexed his fingers, as he looked at them.

“I still seem to be, you know, alive, right now. Pretty much. You’re
looking pretty chipper, too, Lieutenant. How’s it hanging there, Len?
You alive?”

Garber nodded. “It would seem so. Yes.”

Vitale turned toward Psmith.

“So, um, Mr. Psmith. When did you, uh, you know, kill us? Exactly?”

Psmith considered, a moment.

“Today’s Tuesday, isn’t it?”

“Yeah.” Vitale nodded. Let’s humor this guy, he thought.

“Thursday.”

Psmith’s tone was firm.

“Thursday.” Vitale struggled, to keep a straight face. “As in, two
days from now, Thursday.”

It was Psmith’s turn to nod, now.

“Yes.”

“Woo-ooooooh,” Vitale whistled. “End ‘o’ the world, huh?”

Psmith smiled, as he shook his head.

“The end of humanity, when it comes, will happen one death at a time.”

“That’s very philosophical.” Garber appeared to contemplate the idea.
“And it helps us, how?”

Psmith shifted his attention to the older man. That atmospheric
frisson, again, as their eyes met.

“1523 Highland Terrace'” he said.

A look flashed, between Garber and Vitale.

“Nice neighborhood.” Garber kept his tone mild.

Psmith’s smile didn’t waver, as he replied.

“Door’s open, I think.”

Another look passed between the two investigators.

“What’s going on, in Highland Terrace?”

There was an urgency to Vitale’s tone, now.

“Huh? What have you done? Answer me!”

Vitale slapped a hand down on the table. Hard.

Psmith regarded him mildly – as an entomologist might look at some
amusing new species of bug. His seraphic smile hardly faltered, as he
continued to stare.

Garber studied the two of them. He quickly concluded that the
stand-off wasn’t going to be resolved, like this.

“Gianni?”

Vitale broke eye contact with Psmith. He straightened, and rose from
his seat. It was Garber he addressed, as he opened the door.

“I’ll get ‘em to send someone. Check it out.”

But his eyes were on Psmith.

*  *  *  *

Highland Terrace. A quiet residential development, on the outskirts of
glamorous Metro City.

How the realtor’s brochure had described it, when Chavez toyed –
briefly – with the idea of renting accommodation, here.

One look at the house rents – and the figure on his monthly pay check
– put the kibosh, on that idea.

That was shortly after his transfer, to Metro West.

Glamorous Metro City. Yeah.

Chavez guessed it was all right. He had seen worse towns. Seen better.

No matter where you were, though, some things never changed.

Guys in the muster room took to calling him Hugo. Cracks about
slumming it; moonlighting from the White House, or whatever, in
Caracas, Venezuela. Hysterically funny. Yeah. The first six hundred
times you heard it.

A quiet, residential development.

Try suburb.

1523 was a neat two-story. Just like all the other houses on the street.

Chavez imagined the eyes of two and a half children on him, as he
stepped onto the porch. From their curtained windows. A neighborhood,
watching.

Paranoid, really. It was the middle of the morning; kids would all be
in school by now. Probably.

They had left the cruiser out front. Parkes was circling the back of
the property, while Chavez —

The front door was open.

Not gaping, but clearly unlocked.

Unsecured premises.

He addressed the presumed occupants of the building, as he approached the door.

“Hello! Metro PD. There’s been a report of– We’ve had a– Hell. Parkes!”

No answer. Parkes must be out of earshot. The structure blocking out
Chavez’ voice.

“Is anyone in there? Is anyone hurt? Shit.”

Chavez unclipped his service revolver. Thinking of the paperwork to
come, he nudged open the door. And entered the house.

“Oh, mierda!”

The smell hit him, first. Then, the visual.

In the front room (spacious lounge; that’s what the realtors would
say) lay the remains of a typical suburban family: Mom, Dad, couple of
kids. Not two and a half. Though it was difficult to tell.

They had bled a lot, when they died.

And they had died quite horribly.

“Oh, shi –!”

He couldn’t finish. Chavez turned, stumbling to the door. Bolted, for
the porch rail. And retched, uncontrollably, into the yard.

*  *  *  *

That’s all, for now.

Peace.

Winning, Without Winning

So, National Novel-Writing Month (NaNoWriMo) is over, for another year.

At the website, www.nanowrimo.org, manuscripts are being uploaded, word counts verified, and winners declared.

Sadly, I will not be one of them.

But.

I haven’t emerged from the experience, a total loser. Far from it.

I knew from the outset, that I (probably) wasn’t going to win.

The target – 50,000 words, in 30 days; 1,700 words per day – requires a degree of commitment (and jacked-up nervous energy) that I frankly wasn’t able to put in, at this time.

Rather, I set out to kick-start my novel. To begin the process of transforming a slightly-above-average screenplay into the first (slightly-above-average?) draft of a novel that will – ultimately – make the world of crime fiction sit up, and take notice.

"Xero Option", a novel by Des Nnochiri. Soon as he finishes the damn thing.

Yeah. And then, I’ll learn how to fly. Without an airplane.

Sorry.

Anyhow, I’ve got the process off to the kind of start I wanted.
Didn’t make 50,000 words; more like 11,000. But, good words. Ones that have sparked off several new ideas, to help move the project in unusual new directions.
The beginnings of a coherent whole.

All this, in 30 days without running water, or electricity.
A month that saw me getting hit by a moving vehicle, spilled face-first into a column of traffic – and living, to tell the tale (Obviously; because you’re reading this).

A story for another time, perhaps.

Meanwhile, I’m stilll hard at work, on the novel.

Word. (Just don’t ask, “How many?”)

Soldiering on. As should we all.

Peace.

Here’s The Line-Up

By now, you probably know that I’ve got several short screenplays under my belt, in the horror / thriller genre.

You may not be aware that I also write short stories, in the same vein.

My latest features at the online horror forum known as MicroHorror.
They deal in flash / micro-fiction – stories must be a demonic 666 words, or less.

My offering – “The Line-Up” – I’d best describe as, “Part police procedural. Part horror. All me.”
Check it out:

“The Line-Up”, by Des Nnochiri

And, yes. I’ve developed a short screenplay from it, which you can read here:

“The Line-Up: Screenplay”, by Des Nnochiri 

Hope you enjoy them, both.

Have a better one.

Peace.

Trick is… heck. You’ve waited long enough, I suppose. Here’s the movie:

Jade Hespin, as Sophia

Rob Proietti, as John

Other members of the cast:
Steve Tuck
Spike Davis-Riseborough
Allan Hopwood
Hanah Newton
Dodge West
Nick Clubman
Mel Delves
Cat Wright

Produced by Shooting Incident Productions

Directed, shot,  and edited by Jamie McEvoy and Jay Spencer

Based on an original screenplay by Des Nnochiri

Runner: Mark Anthony Nelson

Still photography by Aden Priest Photography

Casting: FBI Agency

Special Thanks to Wildcats, Leeds

My sincerest thanks to everyone who lent their time, talent, and energy to this great project.

And thanks to you, for following this series.

So. Amazed at how cleverly I’ve manipulated things, so the blog ends at lucky number 7?
Don’t be; pure coincidence.

It’s been a long(ish) road. Hope you’ve enjoyed the ride.

See you at the movies. If not, before.

Peace.